Reverence: 3T Rotundo Pro

Mimic those who are better than you; this is the underlying principle of nearly everything I do in life, whether in my work, in sport, or hobbies. The less I know about something, the more inclined I am towards this, and the more faithfully I mimic. As my skill and knowledge develope, I mime less and reason more, applying my own mistakes as well as those of others to the process we commonly refere to as becoming ‘experienced’. This process continues until I grow into an opinionated sponge; while I continue to mop up any and every piece of information and advice I can get my hands on, I follow the path that is influenced still by advice, but dictated largely by the unique journey that lays behind me and the lessons I’ve learned along it. But still the underlying premise remains: The Pros must be onto something.

So it was that I became obsessed with classic-bend bars; Gilbert, Hushovd, Basso, Potato, Cadelephant, the Brothers Grimpeur – many of my favorite riders cruised into my heart aboard classic-bend bars. Not to mention the likes of Coppi, De Vlaeminck, Merckx, and Maertens – none of whom had a choice but rode them nevertheless. Over time, the swooping curve of a classic, round drop has found its place alongside the Quick Release, Delta Brake, and Record Hub as some of the Most Beautiful Bits of Kit.

I love the way the bars sweep up from the drops and position the hoods at an elegant, upward pitch as the bar continues it’s journey upward to meet the stem. Each classic-bend bar does this, yet the particular sweep of the 3T Rotundo does it more elegantly than any other; the exact radius of its bend and the pitch of its rise is perfection. I have another set of classic 3T bars which predate the Rotundo whose radius of the bend is within a millimeter of that of the Rotundo and yet the aesthetics are not it’s equal. Like all things of sublime beauty, there is something intangible about its curve that sets it appart from others.

But aesthetics are only skin deep, and the real measure of the bar is how comfortable it is. Since getting ahold of my first Rotundo, I’ve moved to classic bend bars on all my machines. I was apprehensive about the move from an ergo bend, which I’d always ridden, to the round bend of the Rotundos. Whereas I had always assumed that a flat section of bar would be more comfortable to grab hold of, this turns out not to be the case. Evidently, my hand is not straight and is in fact quite good at bending and forming to various shapes. Riding in the drops, wrists pointed inwards towards the V-Locus, my fingers grip the curved surface of the drops perfectly. The classic bend also reduces the reach from the drop to the brake lever, which means that long descents with frequent use of the brakes are also much more comfortable.

The positioning of the hoods is a slightly different matter and depends somewhat on the groupo. Bikes Number 1 and 2 both wear 10 speed Campa Record, while Bike Number 3 wears Dura-Ace 7700. The design of the Campa hoods resemble the Power Triangles of Merckx, while the design of the Shimano hoods more closely resemble pegs. The transition from the bar to the hoods on my Campa bikes is smooth like Keith Stone, allowing you to choose multiple positions along where bar meets hood.  The design of the Shimano levers, on the other hand, cause them to stand up from the bar more abruptly, meaning that there are fewer comfortable positions available. It’s not really a significant issue, but it does provide less positions which can play a factor on longer rides.

As an aside, the matching 3T ARX stem meets nearly every expectation one can have of a stem; it’s light, stiff and simple. My only complaint is that it is only available in a 6 or 17 degree version; those of us who pay careful attention to how low or how high our bars are find that these two combinations don’t provide enough flexibility to dial in the position; I’m running the bars on Bike Number 3 and am stuck riding my bars about 5mm higher than on my other bikes. To be fair, this is not a shortcoming of the ARX stem in particular; very few manufacturers offer choices outside 6 or 17 degrees. However, for perfect positioning, 3T and others should add an 8 or 10 degree stem to the mix.

 

frank

The founder of Velominati and curator of The Rules, Frank was born in the Dutch colonies of Minnesota. His boundless physical talents are carefully canceled out by his equally boundless enthusiasm for drinking. Coffee, beer, wine, if it’s in a container, he will enjoy it, a lot of it. He currently lives in Seattle. He loves riding in the rain and scheduling visits with the Man with the Hammer just to be reminded of the privilege it is to feel completely depleted. He holds down a technology job the description of which no-one really understands and his interests outside of Cycling and drinking are Cycling and drinking. As devoted aesthete, the only thing more important to him than riding a bike well is looking good doing it. Frank is co-author along with the other Keepers of the Cog of the popular book, The Rules, The Way of the Cycling Disciple and also writes a monthly column for the magazine, Cyclist. He is also currently working on the first follow-up to The Rules, tentatively entitled The Hardmen. Email him directly at rouleur@velominati.com.

View Comments

  • @frank
    You are seriously ignorant. Everybody knows that sandals on the podium are compulsory when there are more than three podium girls in attendance. What the fuck are you thinking?

  • @Marcus
    Oh, nothing against sandals on the podium per se, a time-honored tradition and an absolute must. As you suggest, the need for sandals increases exponentially as the number of podium girls increases; the math is very clear on this.

    It's the particularly heinous sandals that are being questioned. I think those might even be SPD-compatible. Adilettes, on the other hand, are pure class, which is why I suggest he wear those instead.

  • @Marcus @frank

    The sandals do look to be of the type worn by beardy people; in fact they may be my dad's. The real crime was expecting the poor podium girl to be able to slip a yellow jersey on over his shell suit.

  • @Chris
    Umm, that's what I meant by 'lasted all of three rides' - they were such perfection in comfort that I felt continuing to ride them would be a Rule V violation. Bars, like saddles, are a personal thing: One man's trash is another man's treasure so YMMV.

  • @Chris

    @frank

    @Marcus
    Let's just call it what it was - fashion-wise 1994 was just wrong - the podium girls are wearing flats and pantyhose for Merckx-sake. I'd rather be kissed on the cheek by Pantani and Virenque - Their legs looked far more attractive.

  • @frank

    @allHere's a photo that demonstrates how different curves can be more beautiful than others. Hinault's bars are nearly perfect, while LeMond's are too swooping.

    Anything Cinelli was perfect. Lemond's bar is Campione del Mondo and Hinault's is Giro d'Italia. No?

  • @Pedale.Forchetta
    Thanks. I did peruse their site. I wonder about older models, though. I'm still not sure what to do about this. As much as I admire Frank's bike and his attention to detail, I prefer a more minimalist approach when it comes to colors, brands, decals, colors, etc. Which leaves me limited to black at the moment. Might have to go 3T, but I do have this lovely Newton, and nothing to put under it...

    @frank
    I did that with the original Bob Dylan Bootleg series before I had a CD player. Of course, "Establishing a Need" has its limitations; I'm still working on this with regard to the new V kit offerings. It seems a shame, then, to keep looking at the Deda bars.

  • @perplex
    God knows. Mind you a tracksuit and sandals seem to be in keeping with the hideous outfits the podium gals are wearing. Recent years have seen much better fashion aesthetics. I loved the polka dot dresses that looked like unbrellas from a few years ago.

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