If I spent half a summer riding with one hand on the tops and one on the hoods, I spent the other half riding with each hand deliberately gripping the hoods differently. As any young Cyclist growing up in the United States in the late 80s, I had a major thing for Greg LeMond.
I imagined Greg to be the perfect Cyclist, as youth often does of their heroes. I modelled my position on his; when Scott Drop-Ins became available, I hastened to save up for a set and mounted them on my bike. In the interim, I mounted some mountain bike bar-ends on the drops of my regular Cinelli bars. (If I could ask Greg one question, it would be whether he ever actually used his Drop-Ins in any race situation. I’ve never seen a picture of him riding in them, and after having owned a set, I can tell you those babies were the flexiest bars I’ve ever had on a bike.)
But I digress. Back to me and my BFF, Greg LeMond. However much I idolized him, one personality trait I knew we didn’t share was an obsessive/compulsive need to have things be symmetrical. I am all about symmetry; my hoods have to be mounted at exactly the same height, the cables have to emerge from the bar tape at exactly opposite the other side, the gap between the tape and the stem has to be exactly the same on both sides of the bars. LeMond did not share this compulsion, a fact most readily demonstrated by how he gripped his hoods with each hand usually sharing a different number of fingers in front and behind the brake levers.
I could understand that people might differ on precisely how many fingers should be in front of the levers and how many behind, but the idea that one could grip their bars with an uneven distribution across hands completely blew my adolescent mind. If I was going to win the Tour some day, this was obviously a skill I needed to have.
So I set about practicing holding the hoods the way he did; one hand with no fingers in front of the brake lever, the other with all but the littlest hand-piggie in front of the brakes or two fingers in front, two in back on one hand, one finger in front on the other – the quantities were irrelevant so long as they were not the same on both sides.
But I couldn’t do it. It drove me crazy – it twisted my guts up inside. And that was when I realized I would never become a Pro Cyclist, if I lacked such a basic skill.
But every cloud has a silver lining, and with my failure came an interest in the various ways one could grip the bars. The first obvious point to make is that the classic “three-position bar” actually offers about a trillion positions, although I admit I lack both the skill and the fortitude to count them all, and am therefore unable to confirm that figure.
I find the hoods offer the most interesting position variations; depending on how you grip them, you can stretch your back or shoulders, settle in for a relaxing spin, or go low and aero for some Passista hammering. Most importantly, if you add a scowl or a grimace and a little bend to the elbow, you can instantly look the Flandrian Hardman.
[dmalbum path=”/velominati.com/content/Photo Galleries/frank@velominati.com/Hood Position/”/]
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Back to hood position:
@Chris
Honest to god. When I got back into cycling I said, "WTF do you mean I can't assemble a different freewheel for every damn ride?" That was part of the fun, in addition to being practical as hell.
@G'rilla
Totally agree. I can't stand the design of the upper end shimano cranksets. Yuck.
I feel that it should be an international law that all decent-to-high end road handlebars be sold with measurement marks at the stem clamp & at the transition where the shifters are set in order to make symmetry easier to achieve.
Nice article, love the assorted photos. It's very cool that some of you have made this a lifetime passion. For someone relatively knew to the sport it allows me to wonder about what I might have been like as a teen Velominatus.
@Spun Up
For sure. We're changing our position a lot, and I don't know if its better or worse. We're riding smaller frames, lower bars, higher hoods.
I've moved my hoods up (or, more accurately rotated my bars) to find a neutral position. I think riders in the past used to use the hoods to create tension which the theory is provided more power to the guns - think Fignon with his low hoods.
@pink
One of my signature moves is that if I happen to be passing someone, I'll give it a little gas right before I pass and then go full straight arms on the tops and chat a bit as I blow by.
Riding the tops is ultra-pro, but I really only can sustain a speed - if I'm accelerating quickly, its hard to gain enough leverage.
@scaler911
Your avatar made me watch American Flyers while building up the VMH's bike last weekend.
@all
I'll still grip the hoods and number of ways, but always symmetrically.
The Knuckle Ball: Two fingers on either side of the lever body.
The Pinkie Swear: a pinky curled over the nob on the hoods and all other fingers pointed inwards and forearms resting on the tops.
The Pinkie Swear Alternate: pinkie under the brake lever, all other fingers above.
The Strangle Hold: Two fingers in front, two in back or one in front three in back - and using it for maximum leverage.
@Marcus
I remember he won a Giro sprint in 2002 on the tops. He even surprised himself, that time.
@frank
I don't ride the hoods that often unless I'm in a group where I really need fine control and braking ability. Since I ride solo so much, the tops are where I am like 80% of the time, and I use the drops when I really want speed or when I want to sprint up a short hill quickly.
But there is one way I grip the hoods which I call "the lazy superman", which is to cup your palm over the top of the brifter (god I hate that word), sort of like how you'd hold the stick shift in a car. It gives you a nice, stretched out position without going as deep as you are in the drops.
@freddy
I was actually going to issue a point penalty to anyone who picked him on account of the leg-warmers over the bibs, but decided not to in the end. Riding like that at the start is one thing, to finish...well, I quite frankly don't care HOW cold it is - there is no excuse for that!!
@Spun Up
Is it maybe because it wasn't possible to slam the stem like you can nowadays?