Fabs and Vanmarke make the split on the Kwaremont. Photo: Alexandre Voisine

I had always imagined that de Ronde van Vlaanderen must be hardest race in the world. The way I worked it out – having never ridden the course of either event at the time – was that de Ronde had the same cobbles as Roubaix, but with 20% grades thrown in. It makes enough sense so long as you don’t know what you’re talking about, but what you quickly discover once you have ridden them both is just how bad the cobbles of Roubaix are: the worst kasseien in Belgium are about as rough as the best pavé in France.

Both routes are so hard you need to experience them in order to appreciate their difficulty; words are hopelessly inadequate in describing the separation the rider feels from their bicycle while simultaneously feeling more connected to it than at any other time. It is through breaking down the illusion of control that the Cyclist is finally allowed to truly bond with their machine.

The element that makes Vlaanderen a slightly easier race is the most counter-intuitive: the bergs. On most routes, the hills are what separate the wheat from the chafe. Yet because of the brutality of the cobbles, they allow a rider to hide. The secret to riding cobblestones is speed; the faster you go, the better the bike is able to skim over the top with the effect of smoothing them out. This requires big, big power to sustain over the distance of a secteur of cobbles, let alone over the whole of a race. But the bergs neutralize the speed somewhat; how fast can anyone go up a 20% grade – on cobbles, no less? The answer is none fast, so the gaps between the strong and the weak are reduced somewhat until the final decisive moments when the pressure is so great that every chink in the rider’s armor is ruthlessly exposed.

To ride the cobbles is to dance with paradox: ride full gas while keeping something in reserve for the crucial moment  – not when the odds are stacked in your favor, but the you are at the smallest disadvantage. During Sunday’s Ronde, we saw a Cancellara who was not at his best; he won both his previous two Ronde by being so superior that he could drop his adversaries on the last of the steep grades. This year, he made his move on the one section of the finale where his power was a definite advantage, despite his relative weakness on the day; he attacked not on one of the two steepest parts of the Kwaremont, but on the cobbled false flat between the two where speed could make a real difference. He then hung onto Vanmarke over the steep Paterberg before being dragged patiently to the sprint finish to take his third Ronde. 

Cancellara is learning tactics as his strength steadily wanes; before last few year, there was no need for such subtlety. Now he is patient; he is calm. He knows both his strength and weakness, and doesn’t let the antics of the race affect his action. It reminds me of Neruda:

I like you calm, act as if you were absent, and you hear me far-off, and my voice does not touch you.

– Pablo Neruda

frank

The founder of Velominati and curator of The Rules, Frank was born in the Dutch colonies of Minnesota. His boundless physical talents are carefully canceled out by his equally boundless enthusiasm for drinking. Coffee, beer, wine, if it’s in a container, he will enjoy it, a lot of it. He currently lives in Seattle. He loves riding in the rain and scheduling visits with the Man with the Hammer just to be reminded of the privilege it is to feel completely depleted. He holds down a technology job the description of which no-one really understands and his interests outside of Cycling and drinking are Cycling and drinking. As devoted aesthete, the only thing more important to him than riding a bike well is looking good doing it. Frank is co-author along with the other Keepers of the Cog of the popular book, The Rules, The Way of the Cycling Disciple and also writes a monthly column for the magazine, Cyclist. He is also currently working on the first follow-up to The Rules, tentatively entitled The Hardmen. Email him directly at rouleur@velominati.com.

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  • @Pedale.Forchetta

    @therealpeel Photos are not for the sake of cycling, but for the sake of photography itself.

    Selective color is bad as would be bad cycling wearing long compression socks, then everyone is free to do and like what he want.

    The photography Keeper has spoken.

  • @Marko

    @Pedale.Forchetta

    @therealpeel Photos are not for the sake of cycling, but for the sake of photography itself.

    Selective color is bad as would be bad cycling wearing long compression socks, then everyone is free to do and like what he want.

    The photography Keeper has spoken.

    Given his amazing photos, I would heed any and all advice given!

  • "To ride the cobbles is to dance with paradox. . ."

    This is the sirens call. Even though I live for #9 days. Even though I revel in long climbs and fast descents. Even though everyone who has experienced cobbles say nothing can truly prepare you for them, I find myself inexorably drawn to them - to be dashed to pieces upon their rocky surface.

  • @Haldy

    @frank Okay..I'll give you that I suppose, but I'll take that kind of "weak" anyday! As an...aging racer myself, I know I have to be more careful with the matches I burn whilst racing against the youngins at the track on Friday nights and I think that Spartacus has nurtured his form to give us a spectacle at Roubaix.

    I would kill for Fab's artillery even when he's hung over in the dead of winter the day after New Years. Weakness is relative.

    @Pedale.Forchetta

    @therealpeel Photos are not for the sake of cycling, but for the sake of photography itself.

    Selective color is bad as would be bad cycling wearing long compression socks, then everyone is free to do and like what he want.

    Alright already! I changed it! No need to go flinging shit around. Compression socks! Its only the morning here for the Love of Merckx!

  • @Marko

    @Pedale.Forchetta

    @therealpeel Photos are not for the sake of cycling, but for the sake of photography itself.

    Selective color is bad as would be bad cycling wearing long compression socks, then everyone is free to do and like what he want.

    The photography Keeper has spoken.

    Indeed. It is well said. Consider me corrected.

  • @Marko

    @Pedale.Forchetta

    @therealpeel Photos are not for the sake of cycling, but for the sake of photography itself.

    Selective color is bad as would be bad cycling wearing long compression socks, then everyone is free to do and like what he want.

    The photography Keeper has spoken.

    Indeed! I work in the arts and believe me, Pedale's work is right up there with the best. In fact it's better than 99% because it captures the spirit and not just the body.

  • @Pedale.Forchetta

    @therealpeel Photos are not for the sake of cycling, but for the sake of photography itself.

    Selective color is bad as would be bad cycling wearing long compression socks, then everyone is free to do and like what he want.

    Here endeth the lesson.  A-Fuckin-Merckx!

    Love your work Pedale!

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