We close out the 6 Days of the Giro with our sixth and final installment.
A body at rest, stays at rest. A body in motion, stays in motion. Things get a bit more ambiguous when it comes to a body on a bicycle tearing down a twisty mountain descent at speed, particularly in the rain. But it is here, on the boundary between clarity and ambiguity, where things get interesting.
Cornering feels a bit like you’re stealing from Physics, as if you’re getting away with something. Momentum, as fundamental as it is, doesn’t know what’s good for us and stubbornly wants to carry us on its merry path. The faster we go, the bigger its influence becomes and the harder we push against it, balancing on the knife’s edge between our body’s lean and the bike’s pull. For those skilled in this craft, the bicycle and rider carve through the bend in perfect harmony.
I’m not particularly good at cornering, which is to say I’m not particularly good at descending. Its a shame, too, because given my size I’m not very good at climbing, either. The way to get better is to practice, and not to give Rule #64 too much thought. You will crash if you want to get better, but you mustn’t lose your nerve. A nervous descender is a bad descender and everyone knows where to find bad descenders.
The riders getting the most practice in this discipline must surely be les grimpeurs for it seems they would be riding down all those mountains they’re riding up. The surprising truth is that this does not always appear to be the case; one need look no farther than Andy Schleck to find evidence of that particular postulate. Furthermore, one would think that a professional, who by the very nature of their occupation is quite used to finding themselves on the tarmac, would be most able to come off and not lose their nerve. This, also, doest not always appear to be the case.
The Giro, known for its narrow mountain roads, is won as much on the descents as it is on the climbs. Who can forget the 1988 Giro, which was won on the descent of the Gavia, not its climb. Or the 2002 and 2005 editions when Il Falco used every millimeter of road as he swept through the hairpin bends to distance his rivals. This year, Brad Wiggins had already put himself on the back foot on GC when he came off on a slow bend and spent the rest of the stage riding like his tires were made of glass. On the same stage, Nibali attacked and came off on a high speed corner before jumping back on his machine and rejoining the leaders moments later. The difference is a question of not only skill, but fearlessness.
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@The Grande Fondue
Any surprise that Cav is fast on 2wheels!?
Aaaaaaand Sir Sideburns and Ryder are out. Not sure I believe this chest infection guff.http://www.sbs.com.au/cyclingcentral/news/43818/illness-forces-wiggins-to-quit-the-giro
@frank He looks great in the Coors Classic jersey - cool how it matches the standard (?) 7-Eleven Huffy colours!
@PT Thanks! Sounds a bit like gargling then?!!
Thought you might like this one, not specifically on topic.
http://le-grimpeur.net/blog/archives/20
If you make it to the bottom, you will get this gem:
"Lapize finished stage 10 of the 1910 Tour in 14 hours and 10 minutes. For 326 kilometres, that is an average speed of just over 22 kph."
That's some serious V.
Tom
Meanwhile in France...
http://www.kairn.com/fr/milieu-montagne/88934/degagement-de-la-route-du-tourmalet-dans-les-hautes-pyrenees.html
Close run thing between a bike + Yammy R1 DOWN the Alpe http://www.thenational.ae/lifestyle/motoring/motorcycle-takes-on-bike-on-tour-de-frances-famous-alpe-dhuez#full
Here's a news flash for all you aspiring photographers. You know what kind of fancy-dancy high tech camera Pedale used for the cover shot?
No?
Oh, HIS FUCKING iPHONE.
I was reminded of another reason to weight the outside foot: it unweights your saddle so you're not a sack of potatoes when you hit a bump you don't see mid-corner.
Its the same principle as riding cobbles or riding a cross bike or a hard-tail MTB: unweight the saddle so the bike can move under you without being burdened by your full weight. If you're 100% on the saddle when you hit a bump, you'll have a hard time to correct; if you're light in the saddle, the bike can come up to you with no problem.
@frank
Mobile phone was a first guess. Or there was time to create an expressionist rendering (charcoal). Lo-res images can be tested in Photoshop pushing them to 1200 dpi to find these types of "interesting" results.
@frank
iPhone you say? No wonder it is blurry as shit...
Kidding of course, really captures the speed involved, great photo indeed.