This picture makes me think, “There’s a right way to ride the cobbles, and a wrong way.” Those riders who have raced on the cobbles of Flanders and Northern France will tell you that riding the stones fast takes a “something” that can’t be taught. The trick seem to be finding a subtle space between steering and guiding the bike where the riders coax their machine through the terrain to find it’s own way without too much interference from the pilot.
Riding over these brutal roads is an honor that I have yet to receive, but I have had the privilege to live in several cities with some semi-legitimate cobbles, even if they were not borne from France or Belgium. St. Paul, MN has a few roads where, if you’re willing to break a few rules suggesting the direction of traffic, you can climb some good, bumpy hills. Seattle, on the other hand, has an entire neighborhood wherein all the steepest hills are still bedecked in stones from the late 1800’s and early 1900’s. These are rough, nasty roads and have taught me a thing or two about what does and doesn’t work when riding the cobbles.
Foremost among the things that work is finding the harmony between the size of your gear (cadence) and the speed the bike is bouncing over the stones. I would call it “sympathetic vibration” if it weren’t for the decidedly uncomfortable feeling the whole ensemble gives – there is nothing “sympathetic” about it. A bit more the opposite, actually. When you get it right, however, it is somehow beautiful in it’s awesome, harmonic brutality.
There was one day a few weeks ago when I was doing hill repeats on one of these climbs when everything clicked. The machine, the gear, my rhythm, the amount of The V I was able to dish out, everything came together to form a jarring, rattling unit of cohesion. There was a group of pedestrians on the roadside walking down the hill at the time; they stopped to watch and – dare I say – cheered. I was instantly in Flanders; it was a Great Moment on the Bike.
Yesterday, I turned off the same strip of asphalt onto the same cobbled climb and the harmony that had previously attracted a group’s attention was replaced with a sensation of panic as I fought to keep myself upright. My bike hit the stones in a manner I can only describe as “wrong”; I dumped my speed instantly, struggled with the gear, and nearly fell before barely righting myself and moving into a zone where every turn of the pedals was a struggle tinged with the bitter taste of weighing my odds of getting my foot out of the pedal in time to keep from falling should the last iota of speed and coordination I possessed leave me. No one was around to view this spectacle, thank Merckx.
It all comes down to the rhythm you find on these nasty stones, and this photo shows Jakob Fulsang succinctly demonstrating the difference between the “right” and the “wrong” rhythm. It’s almost as if the arrow mounted on that clumsy bit of scaffolding was set up for the very purpose of pointing out the the wrong approach to riding the pavé.
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@Nof Landrien
I remember reading that Museeuw couldn't walk for a week after winning P-R in 2002. Brutal.
There's a great account in Fignon's book, We Were Young and Carefree, where he talks about the '83 Tour and the stage that went over the cobbles. He didn't know how to ride the stones, so he just gripped the bars like you describe but got through the stage OK. After the finish, he removed his gloves to find his hands covered in blisters; the next day was agony.
@Brett
Hey now, you're just mad that I called you shriveled.
@wvcycling
Poetry.
Makes you realize how much of a monster Spartacus is, riding the stones in the faux TT-bar position, wrists casually draped over bars, so as not to drop the tiny little Luxembourgois bouncing around behind him like a rabbit in an electric fence.
Plus he had that motor...
The imagery is priceless. Just made a shit day a little less shitty!
@frank
Thanks for the compliment~ Keep me in mind for future guest contributions???
@frank
Actually, while I have seen a lot of electric fences and a lot of rabbits, I have never seen them in contact. But I know what it feels like to contact an electric fence, and I am pretty confident it would make a rabbit jump more than it has made me. It would probably make the Grimplet jump, too. But not Spartacus. He'd just use it to recharge his batteries. Unless Jens had got there first and scared the fence away.
That's two for two today, Geof. You must be in the USA.
I don't see what the problem is. Although I too have never ridden the pave of Northern Europe, I heard Spartacus describe it and it doesn't sound that hard: "you just put it in a big gear and keep accelerating". How hard can it be. [I can't match the poetry above describing the cobbles, inspiring stuff, folks]. Great photo, Frank. That's got to smart a bit.
@roadslave
You really need to ride there, or anywhere with similar stones, to understand.
The battering you take is unbelievable. I didn't think to wear mitts/gloves when I rode three or four sections of pave, around 5km. By the end of the 5km I had massive blisters on my hands and then I had to ride back across them.
Despite the Roubaix pave being flat, it is hard work. I had a dry and sunny day with no wind and I was relatively fit. I wanted a relatively "representative" experience of riding the stones, so I tried to keep it at at least 20mph and to do that meant I was riding hard, probably 80% and the effort went up on the slight drag at the of the Carrefore d'Labre section. It put into perspective what the pro's do at Paris-Roubaix because they hit that section after over 250km, I'd ridden just 10km.
It's been weeks but I'm sometimes a man of my word. Yesterday I did about 75km in the area where the Tour of Flanders takes place each spring. The photo is from the Oude Kwaremont climb, 2.2k of cobbles. The route included the Paterberg and Koppenberg climbs, it was magical...