The Aesthete’s Choice: Boyaux Naturel

Tradition and innovation are the two opposing edges that cut our evolution through the fabric of our sport. Tradition grounds us, while innovation ensures we advance ever forward. The problem with tradition is that it is comforting and familiar, often shielding us from adopting newer, improved practices and technology. The trouble with innovation is that its freshness can blind us from being able to distinguish non-functional novelties from material improvements. We must learn to distinguish between a reluctance to change and an appreciation for a well-refined way of doing things.

When it comes to the evolution of aesthetics, a clouding factor are the fads that intersperse fashion trends. Trends tend to have a cyclical nature to them as they come in and out of style, each iteration mutated slightly from the previous. Fads, on the other hand, are blips on the continuum that tend not to reappear. Unfortunately we often can’t tell the difference until some time later, when we are left with distressing photographic evidence of our failures to tell the former from the latter. Fluro colors are an example of a trend (whose reemergence we are currently experiencing) while parachute pants are an example of a fad (whose reemergence would presumably signal the coming apocalypse.)

In Cycling, colored tires emerged innocently enough, allowing for riders to playfully match the color of the tire’s tread or sidewall to the color of their frame or kit. Or to nothing at all, depending on the savagery of their personal style. Prior to the mid-nineties, tires could be any color you wanted, so long as the tread was black and the sidewalls tan; they matched every paint scheme imaginable and always Looked Fantastic.

Colored tires introduced a stylistic weapon whose power most riders did not possess the aesthetic nuance to control, like young Luke Skywalker heading off to Bespin to face Darth Vader. Chaos ensued, limbs were lopped off. In the right hands, the colored tire could be wielded like Jackson Pollock wielded an overloaded paintbrush. Marco Pantani’s 1998 Bianchi was an aesthetic masterpiece which has yet to see its equal. But the damage done by misguided overuse left lasting ripples (and in some cases trauma); eventually this unwieldy power was returned to the fiery depths of Mount Velomis.

The lasting effect that we feel to this day is the advent of the black sidewalls; when combined with the modern deep section wheel they makes for a monolithic mass of rim and tire. This is by no means a bad look; when deployed in the right circumstances it has a Spinal Tap Black effect which can be used for intimidation. The natural sidewall, on the other hand, gives a clean delineation between rim and tire, harkening back to the days when tires came in every combination of black tread and tan you could ever want.

Having options gives the illusion of freedom when in fact it is the choice to simplify that truly leads to liberty. Choose natural sidewalls and your bicycle’s simple beauty will emerge gracefully. And always remember: friends don’t let friends ride clinchers.

frank

The founder of Velominati and curator of The Rules, Frank was born in the Dutch colonies of Minnesota. His boundless physical talents are carefully canceled out by his equally boundless enthusiasm for drinking. Coffee, beer, wine, if it’s in a container, he will enjoy it, a lot of it. He currently lives in Seattle. He loves riding in the rain and scheduling visits with the Man with the Hammer just to be reminded of the privilege it is to feel completely depleted. He holds down a technology job the description of which no-one really understands and his interests outside of Cycling and drinking are Cycling and drinking. As devoted aesthete, the only thing more important to him than riding a bike well is looking good doing it. Frank is co-author along with the other Keepers of the Cog of the popular book, The Rules, The Way of the Cycling Disciple and also writes a monthly column for the magazine, Cyclist. He is also currently working on the first follow-up to The Rules, tentatively entitled The Hardmen. Email him directly at rouleur@velominati.com.

View Comments

  • @wiscot

    @ChrisO

    Mind you there are times when I think all black works pretty well.

    “All black” with a fair bit of white you mean? Lovely machine. Is that one of those Adamo saddles? How goes it? I remember having the cheapest, lightest saddle on my 80s TT bike. After a 50 I could barely walk or feel my bits.

    I just meant the tyres, as opposed to ones with a sidewall and the black of the rims.

    Although perversely I love the sidewalls on my HED Stinger 6s which are deep, but not quite as deep as the Cosmics.

    Yes it is the Adamo saddle.Seems to work pretty well but I'm pretty easy on saddles.

    IIRC we put it on there because the stubbiness also helps fit into UCI regulations, although I think I've probably changed it since then and would struggle to pass a strict test.

  • @ErikdR

    @Randy C

    @fignons barber

    WOW ! What a gorgeous bike in white. I love black bikes and the Canyon. But that Cyfac bike is brilliant. Is that an alloy bike or is it C ? It’s nice.

    A Cyfac? Chances are it’s steel with a Carbon fork, methinks? But yes, very, very nice indeed.

     

     

    No, it's aluminium. Made by Francis Quillon. He built frames for Fignon, the Badger, even Chiappucci. He started Cyfac, but is now honorary president. When Fignon passed, I contacted him to build a Fignon tribute bike. We put our heads together, and came up with a design like the old Super U bike. Three weeks later, it was on my doorstep.

     

     

     

     

     

  • @KogaLover

    @Teocalli

    @fignons barber

    It cleaned up nicely then.

    They did look similar with both chains in the small ring…

     

    Chain should always be in the small ring after ride. It deserves to relax, just like the rider. Respect the machine, and it will take care of you.

  • @Ron

    Vittoria Corsa SCs with latex tubes on my Casati Laser. Oh man, riding on smooth roads with this bike is a joy. Oh wait, riding it at all is pretty damn fun.

    Ooosh, I'm done. That's such a beautiful bicycle.

  • @fignons barber

    @ErikdR

    @Randy C

    @fignons barber

    WOW ! What a gorgeous bike in white. I love black bikes and the Canyon. But that Cyfac bike is brilliant. Is that an alloy bike or is it C ? It’s nice.

    A Cyfac? Chances are it’s steel with a Carbon fork, methinks? But yes, very, very nice indeed.

    No, it’s aluminium. Made by Francis Quillon. He built frames for Fignon, the Badger, even Chiappucci. He started Cyfac, but is now honorary president. When Fignon passed, I contacted him to build a Fignon tribute bike. We put our heads together, and came up with a design like the old Super U bike. Three weeks later, it was on my doorstep.

    Wow!  Amazing.  Chapeau!

  • @fignons barber

    A bike has to be awfully special when it's coolness shows thru, it reaches out and grabs ya, in a photo posted on the inter webs. Never mind being seen in person. And that bike has it. I love it. Cheers.

    … and… get this, so I'm taking one last look at the bike right before I'm about to post this when right now my daughter comes up behind me, takes a peak… "Whoa!" she says…"I want that bike…"

    And the young lady has a special appreciation for cool bikes. She knows 'em when she sees them.

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